Carsten Höller - Lisbon Dots
Lisbon, PT
2021
For Carsten Höller's monographic show Dia at MAAT. 20 dots of light track visitors in the gallery as they move, when the dots overlap they can exchange colours based the rules of a game that reward or punish certain behaviours.
Photo: Attilio Maranzano © 2021
Carsten Höller - Infrared Room
Lisbon, PT
2021
An update to an existing work. 3 separate cameras feeds oscillate between states of present and past.
Photo: Attilio Maranzano © 2021
Arca - Sonar 2022
Barcelona, ES
2021
Lighting design and operation
Joy Objects - Launch
Stockholm, SE
2021
Set design and bespoke lamps for the launch of Joy Objects by Fredrik Paulsen
Joy Objects - Launch
Stockholm, SE
2021
Retaining the Energy, but Losing the Image
Amsterdam, NL
2019
10 rotating reflectors capture and emit sound and light, creating an ever-changing environment of interlinked reflections and feedback chains. A collaboration with Nicolas Jaar.
Photo: Jeroen Verrecht
Retaining the Energy, but Losing the Image
Amsterdam, NL
2019
Photo: Jeroen Verrecht
Retaining the Energy, but Losing the Image
Amsterdam, NL
2019
Photo: Jeroen Verrecht
Arca - Sal De Mi Cuerpo
Barcelona, ES
2019
Lighting design and operation + custom light objects
free2move
Rewire, NL
2019
Photo: Jan Rijk
free2move
Rewire, NL
2019
The stage is accessible through two staircases and left completely empty except for an installation doubling as musical interface directly linked to Nicolas' synths with which the audience is free to play
Manifolds
Mutek Mexico
2018
Commissioned site-specific work that uses the architecture of the venue and the movements of the kinetic lasers to drive sound and visual compositions.
Manifolds
Mutek Mexico
2018
Manifolds
Mutek Mexico
2018
Manifolds
Mutek Mexico
2018
Powell - New Beta
2017
Photo: Biennale Nemo
Powell - New Beta
2017
Photo: Biennale Nemo
Powell - New Beta
2017
Bright beams spell out Powell's own work notes for the audience to try to parse out.
Photo: Biennale Nemo
Amnesia Scanner - AS STROBE
2017
Continuing a close collaboration on the Amnesia Scanner stage design, this iteration primarily consists of two bespoke stroboscopic robots to create a dissorienting and rapidly changing environment for the live performance to unfold in.
Photo: Alba Rupérez
Amnesia Scanner - AS STROBE
2017
Photo: Alba Rupérez
Gut Machine Poetry
Kiasma, Helsinki, with Jenna Sutela & GutJohanna Lundberg, 2017
Generative word configurations driven by fermenting kombucha.
Gut Machine Poetry
Kiasma, Helsinki, with Jenna Sutela & GutJohanna Lundberg
2017
Spread from Flash Art Issue 316
Musica Universalis
Day for Night, Houston, with United Visual Artists
2016
Large scale installation exploring ratios, phases and harmony. Comprised of 8 orbiting arms with a directional speaker and light on opposite ends of a central suspended sphere. As the arms form various ratios, they drift in and out of harmony both sonically and through the interplay of moving lights and shadows.
Photo: United Visual Artists
Musica Universalis
Day for Night, Houston, with United Visual Artists
2016
Reuniting with UVA, I looked after the programming and control of the arms from the technical aspects relating to the motors and bespoke lights to the sequencing and composition of the movements.
Photo: United Visual Artists
Powell
2016
Stage design for Powell's SPORT tour. Made using a series of bespoke monochromatic LED tiles with volumetric beams which can be spun infinitely by the performer.
Photo: Luis Nieto Dickens
Powell
2016
Photo: Luis Nieto Dickens
Rag and Bone SS 17
NYC, with
T.E.M, 2016
Set design for the SS17 Rag and Bone fashion show, and further exploration into the possibilities of kinectic video. 3 x 2.5m tall towers with rotating 10,000 lumens projectors paint a moving scene around the catwalk as they scan the room. All content is generated in real-time using the positions of the projectors to render the 3d graphics.
Rag and Bone SS 17
NYC, with T.E.M
2016
Rag and Bone SS 17
NYC, with T.E.M
2016
Our Time
Dark Mofo, Tasmania, with United Visual Artists
2016
Composed of 21 individually controlled pendulums, Our Time is a contemplative installation on the nature and manifestations of time.
Photo: United Visual Artists
Our Time
Dark Mofo, Tasmania, with United Visual Artists
2016
Photo: United Visual Artists
Our Time
Dark Mofo, Tasmania, with United Visual Artists
2016
As part of UVA's series of pendulum works, I have continued my involvement in refining the bespoke motion control and electronics systems that make up the kinetic pendulums.
Photo: United Visual Artists
Amnesia Scanner Live
Volksbühne, Berlin, with Amnesia Scanner
2016
Fully automated performance for two robotic video projectors, stage lights, fog, wind and scents.
Photo: Mikko Gaestel
Amnesia Scanner Live
Volksbühne, Berlin, with Amnesia Scanner
2016
Photo: Mikko Gaestel
Amnesia Scanner Live
Volksbühne, Berlin, with Amnesia Scanner
2016
Photo: Mikko Gaestel
Amnesia Scanner Live
Volksbühne, Berlin, with Amnesia Scanner
2016
Amnesia Scanner WiFi
Central Saint Martins, with Amnesia Scanner
2016
FREE WiFi takeover. Transient networks trap the users on the Amnesia Scanner portal.
Amnesia Scanner WiFi
Central Saint Martins, with
Amnesia Scanner, 2016
Website by PWR
әṾӨȻΔ𐐉
Sinne (Helsinki), with Johanna Lundberg and Jenna Sutela
2015
In this volume presented during eVOCAL, the original text by Tess Edmonson is analyzed and reproduced in 5 different ways representing alternative facets of language and its structures.
әṾӨȻΔ𐐉
Sinne (Helsinki), with Johanna Lundberg and Jenna Sutela
2015
Photo: Paavo Lehtonen
әṾӨȻΔ𐐉
Sinne (Helsinki), with
Johanna Lundberg and Jenna Sutela, 2015
Clear, Loud, Bright, Forward
Palais Garnier, Paris, with United Visual Artists
2015
As part of United Visual Artists, I worked on the scenographic installation which consists of 3 kinectic pendulums with integrated lighting elements set within a fully retroprojected box. Choreographed by Benjamin Millepied with music by Nico Mulhy, costumes by Iris van Herpen and additional lighting by Lucy Carter.
Photo: United Visual Artists
Clear, Loud, Bright, Forward
Palais Garnier, Paris, with United Visual Artists
2015
The pendulums are choreographed to respond to the music and the movements of the dancers. The lights cast by the pendulums are a combination of the actual lighting attachements and of 'virtual' lights generated in real time and projected back into the space
Photo: United Visual Artists
Clear, Loud, Bright, Forward
Palais Garnier, Paris, with United Visual Artists
2015
Photo: United Visual Artists
Clear, Loud, Bright, Forward
Palais Garnier, Paris, with
United Visual Artists, 2015
Blueprint
Philadelphia Science Center, USA, with United Visual Artists
2014
Blueprint is a series of two large scale dynamic lighting canvases. Arranged as a grid reminiscent of genome sequencing, each cell can shift state based on a set of evolutionary rules.
Photo: United Visual Artists
Blueprint
Philadelphia Science Center, USA, with United Visual Artists
2014
As part of UVA, I worked on developing the bespoke lighting panels that make up the artwork and its technical infrastructure from the earliest prototypes on through final production.
Photo: United Visual Artists
Principles of Motion II
Hyundai Motor Studio, Seoul, with United Visual Artists
2014
Principles of Motion is a series of 5 kinetic artworks, surrounded by a large scale video work that explore motion itself as a medium. Patterned disks are spun and illuminated at specific frequencies bringing forward other movements and patterns that exist somewhere between the physical and the illusion.
Photo: United Visual Artists
Principles of Motion II
Hyundai Motor Studio, Seoul, with United Visual Artists
2014
For this UVA comission, I contributed to the elaboration of the technique used for the disks, and to the specification and implementation of kinetic, lighting and interaction elements.
Photo: United Visual Artists
Formation
Old Sorting Office, London, with United Visual Artists
2014
Formation explores the possibilities of emergence in a room filled with objects that oscillate between chaos and order. 36 pendulums, each with their own light source, are swung from a bespoke 2 axis robotic gantry. From their initial state of unisson, each pendulum starts forming its own trajectory, finding its own pace and direction until the robot brings the whole back together.
Photo: United Visual Artists
Formation
Old Sorting Office, London, with
United Visual Artists, 2014
For this UVA commission, I worked on the original concept and prototyping and the final motion control and electronics systems.
New Degrees Of Freedom
South London Gallery (London), with Jenna Sutela and Johanna Lundberg
2014
Photo: Felicity Hammond
New Degrees Of Freedom
South London Gallery (London), with Jenna Sutela and Johanna Lundberg
2014
Photo: Felicity Hammond
Principles of Motion I
Hyundai Motor Studio, Seoul, with United Visual Artists
2014
First iteration of Principles of Motion. The patterns have less built-in information; the images perceived are constructed from the interferences between motion, stimulus and fuzzy processes of perception.
Photo: Shin Kyungsub
Principles of Motion I
Hyundai Motor Studio, Seoul, with United Visual Artists
2014
Photo: Nick Found
Momentum
Curve Gallery, Barbican, with United Visual Artists
2014
Commissioned by the Curve Gallery at the Barbican, UVA created an array of twelve synthetic pendulums, each one of their own light and sound source. The pendulums swing in coordinated patterns and transform from natural states to synthetic states.
Photo: United Visual Artists
Momentum
Curve Gallery, Barbican, with United Visual Artists
2014
As part of UVA, I contributed from start to finish in creating the pendulums, with a focus on how they can be controlled to achieve both natural motions and un-natural but convincing movements. During production my focus was on realizing the motion control, bespoke lighting fixtures and electronics.
Photo: Nick Found
LPD
Eastern Bloc (Montreal), with Tobias Ziegler, Morgan Sutherland
2012
As an exploration of light as a physical medium and an homage to both Josef Albers and James Turrell, we explored and merged their techniques to create a space whose physical presence is modulated by the relationships between colors and intensities.